After a deadly virus wipes out most of humanity, the survivors are forced to wait alone in self-sustaining bunkers while the viral threat runs its course. Able to communicate through a networked video interface, the survivors wait for years and slowly become a motley family of sorts. But their fragile social ecosystem is shattered when, one by one, they start mysteriously disappearing from their bunkers.
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By 2017, the global economy has collapsed and American society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.
When Eun-soo gets lost in a country road, he meets a mysterious girl and is led to her fairytale ike house in the middle of the forest. There, Eun-soo is trapped with the girl and her siblings who never age. Eun-soo finally discovers a way out which is written on a fairy tale book. But the book tells a story of none other than himself!
Hardened criminal Maggie Hayward’s consistent violence, even in police custody, ends in the execution chamber. However, top-secret US government agent ‘Bob’ arranges a staged death, so Maggie can be elaborately trained as a phantom killer and subdued into obedience. She gets a new cover identity as saleswoman Claudia Anne Doran. She also gets a wonderful house-mate, building super J.P., a broad-minded, gentle photographer. The two fall in love, and that complicates hit jobs. His good influence extends to breeding in her a conscience that places love over business, unlike Bob’s agency.